Professor Jane Garnett

Religion in Diaspora: Cultures of Citizenship (Migration, Diasporas and Citizenship) (co-edited with Sondra Hausner) (London: Palgrave Macmillan, 2015)

This edited collection addresses the relationship between diaspora, religion and the politics of identity in the modern world. It illuminates religious understandings of citizenship, association and civil society, and situates them historically within diverse cultures of memory and state traditions.

 

 

 

 

 

 

 

 


Spectacular Miracles: Transforming Images in Italy, from the Renaissance to the Present (with Gervase Rosser) (Reaktion Books, 2013)

Spectacular Miracles confronts an enduring Western belief in the supernatural power of images, for example the belief that a statue or painting of the Madonna can fly through the air, speak, weep or produce miraculous cures. Although discomforting to widely-held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. Spectacular Miracles draws upon rich documentation from northwest Italy and elsewhere to show how, in a range of historical contexts, these images 'work'. Ritual animation of the image is vividly evoked, as is the phenomenology of the beholder's experience. The subversive potential of the miraculous image to bypass clerical and secular authority is a central theme. Reproducibility enhances this power: devotion is hard to control when a copy of a venerated image (even in a digital form mediated by the internet) is held to carry the same supernatural potential as the original. Spectacular Miracles engages with the history, anthropology and visual culture of images and religion, and is a convincing study of the power of faith and art.


Rescripting Religion in the City: Migration and Religious Identity in the Modern Metropolis (co-edited with Alana Harris) (Ashgate, 2013)

Rescripting Religion in the City explores the role of faith and religious practices as strategies for understanding and negotiating the migratory experience. Leading international scholars draw on case studies of urban settings in the global north and south. Presenting a nuanced understanding of the religious identities of migrants within the 'modern metropolis' this book makes a significant contribution to fields as diverse as twentieth-century immigration history, the sociology of religion and migration studies, as well as historical and urban geography and practical theology.


`The Gospel of Work and the Virgin Mary: Catholics, Protestants and Work in 19th-century Europe', The Use and Abuse of Time in Christian History, Studies in Church History (2002), ed. R.N. Swanson, 255-74.

For the Christian Church and its members, time is always pressing, both for this life and for the anticipated afterlife. In this life it is precious, to be valued and used; but in reality also misused and abused. The twenty-seven essays in this volume reflect Christian attitudes to time from the period of the early church through to the twentieth century, considering differing views on labour, the role and importance of recreation, the use of time for devotional purposes and preparation for the afterlife, and reactions to its wasting or sinful exploitation. Contributors: STUART K. BURNS, CAROL HARRISON, JANET L. NELSON, JANE BAUN, SUSAN BOYNTON, FRANCES ANDREWS, ANGELA MONTFORD, DIANA WOOD, HILARY M. CAREY, JUDITH MIDDLETON-STEWART, BARRY COLLETT, JOKE SPAANS, ANNE LAURENCE, MICHAEL A. MULLETT, DAVID L. WYKES, JOHN WALSH, JILL SÖDERSTRÖM, JANE GARNETT, MARTIN WELLINGS, ALLAN K. DAVIDSON, KENNETH S. JEFFREY, DOUGLAS M. MURRAY, TIM MACQUIBAN, LINDA WILSON, KRISTA COWMAN, JOHN F. POLLARD, STUART MEWS.

  • Intellectual history
  • Cultural history
  • Religious history
  • Art history
  • Gender history

I have worked on intellectual, cultural, religious and art history, predominantly since the nineteenth century, and the history of gender and visual culture over much wider periods. The common thread has been a concern with the historical understanding of beliefs and values.  I have written on debates about economic ethics, on the history of economic thought, on Christian moral and social philosophy, and on the relationship between art and social criticism. I was Consultant Editor for Women on the Oxford Dictionary of National Biography, with responsibility for strategic consideration of gender across the entire project.   I have been particularly committed to fostering interdisciplinary and collaborative work across the humanities and social sciences. I co-authored and co-edited (with Matthew Grimley, Alana Harris, William Whyte and Sarah Williams) Redefining Christian Britain (2007), a reconceptualization of the secularisation debate; and a series of books addressing the part played by religion in mediating migration and diaspora in modern metropolitan cultures: Rescripting Religion in the City: Migration and Religious Identity in the Modern Metropolis (with Alana Harris, 2013); Religion in Diaspora: Cultures of Citizenship (with Sondra Hausner, 2015); and Religion in Diaspora: Cultures of Belonging (with Sondra Hausner, 2016) - a special issue of the journal Diaspora.  In 2015 I co-edited (with Sunil Shah) Doh Mix Meh Up: Diaspora and Identity in Art.

 I worked with a group of historians and social scientists in a 5-year project funded by the Leverhulme Trust (2011-15) on the impact of diaspora world-wide. Our strand of this global project is entitled  ‘Religious faith, space and diasporic communities in East London: 1880s-present’, and analyses the contested histories of faith-based civil-society institutions in the East End of London from the late nineteenth century to the present, focusing in particular on Jewish, Christian and Muslim cultures.  Creatively interdisciplinary in its methodological reach, the project’s spine has been historical.  By addressing questions across the historical span of the long twentieth century, and by interrogating patterns of international and intra-national (and often highly localized) migration, our aim has been to enhance understanding of the impact of faith-based community organizations on diaspora inclusion and exclusion in a world city. With Gervase Rosser I wrote Spectacular Miracles: Transforming Images in Italy from the Renaissance to the Present (2013), a challenge to prevalent assumptions of both art and religious history, for which we were co-winners of the 2014 ACE/Mercers' Book Award, a biennial prize awarded to a book which 'makes an outstanding contribution to the dialogue between religious faith and the visual arts'.  A key aspect was the analysis of the part played by the cultures and narratives of miraculous images in the construction of community, locally and globally.  Both the diaspora project and that on miracle-working images generated public exhibitions (in Britain and Italy), which confronted in innovative ways cultures of identity and the nature of visual experience. 

Oxford Diasporas Programme: http://www.migration.ox.ac.uk/odp/

  • Canvassing the Faithful: Image, Agency and the Lived Religiosity of Devotion to the Divine Mercy

  • Feilding, Lady Mary (1823–1896), founder of the Working Ladies' Guild

  • General introduction to 'The English Parish Church through the centuries: daily life and spirituality, art and architecture, literature and music [Sections 5 & 6: 1689-1945, and 1945-present]'

  • Reaney [née Edis], Isabella Emily Thomasa [Isabel] (1847–1929), preacher and social activist

  • ‘Architectural Associations: memory, modernity and the construction of community in East London’

  • ‘Challenges to Faith and Christian Responses 1689-1945’; ‘Philanthropy and Social Ethics 1689-1945’ and ‘St Bartholomew’s, East Ham’

  • 'Anglican Economic and Social Engagement’

  • Religion in diaspora: cultures of citizenship (journal special issue)

  • Re-Scripting Religion in the City: Migration and Religious Identity in the Modern Metropolis

  • Shifting markers of identity in East London's diasporic religious spaces

  • More

Current DPhil Students

  • Rory Allan
  • Nicole Hartwell
  • Mark Lee
  • Alessia Pannese

I would be willing to hear from potential DPhil students regarding intellectual, cultural (including visual culture), religious and gender history from the late 18th century to the present 

I would be willing to hear from potential Masters students looking at intellectual, cultural (including visual culture), religious and gender history from the late 18th century to the present 

I supervise within the MSt courses in British and European History 1500-present, Women’s Studies and History of Art


I currently teach:

Masters:

  • Approaches to Feminist Research (for the MSt in Women’s Studies)
  • Women’s Intellectual History c1850-1950 (for the MSt in Women’s Studies)

Prelims

FHS

HBI 5, 6, 7

HBI 5, 6, 7

GH 4

GH 11

Approaches to History

FS: Intellect and Culture in Victorian Britain

 

SS: Art and its Public in France

 

Disciplines of History

Participant in ‘Culture and Anarchy’, first part of series on ‘The Value of Culture’ presented by Melvyn Bragg 2012-13, broadcast 31 December 2012 BBC Radio 4

http://www.bbc.co.uk/programmes/b01phf4c

Material Religions blog: ‘The Extraordinary in the Ordinary: Miracle-working Images in Italy’ 7 October 2015

http://materialreligions.blogspot.com/2015/10/the-extraordinary-in-ordinary-miracle.html 

List of site pages